The Greek puns in the texts have been cited by some[4] as proof that the text never existed in Hebrew or Aramaic, but other researchers[5] have suggested pairs of words for trees and cutting that sound similar enough to suppose that they could have been used in an original. A deuterocanonical addition to the book of Daniel recounts the dramatic story of the beautiful and pious Susanna. When she makes her way back to her house, they accost her, demanding she have sex with them. The older men preying on Susanna and their placement above her represents the position of men in society, as they were seen as having power … [2], Artist Kathleen Gilje created a work of art based on Gentileschi's painting in which she made one, more violent version of Gentileschi's painting in lead paint, then painted a copy of Gentileschi's original over top. Susanna (and not Peter Quince) is the subject of the 1915 poem Peter Quince at the Clavier by Wallace Stevens, which has been set to music by the American composer Dominic Argento and by the Canadian Gerald Berg. Some treatments, especially in the Baroque period, emphasize the drama, others concentrate on the nude; a 19th-century version by Francesco Hayez (National Gallery, London) has no elders visible at all. The tale is set in Babylon during the Jewish exile and tells of Susanna taking a bath in her private garden. 3 Her parents were righteous, and had trained their daughter according to the law of Moses. [7], Gentileschi did not include landscape or background in many of her paintings. The story opens with the appointment of two wicked elders as judges. [3] As shown in this painting, the only background is a blue sky. It is not included in the Jewish Tanakhand i… 13 There was a man living in Babylon whose name was Joakim. Pablo Picasso, too, rendered the subject in the mid-twentieth century, depicting Susanna much as he depicts his other less abstract reclining nudes. Title: Susanna and the Elders; Creator: Jacopo Robusti, called Tintoretto; Date Created: 1555/1556; Style: Italian Mannerism; Provenance: Before 1712 in the Gallery; Physical Dimensions: w1936 x h1460 cm (without frame) Inventory Number: GG 1530 The text describes her as [A] very beautiful woman and one who feared the Lord. The picture, painted in 1955, is part of the permanent collection at the Museo Picasso Málaga. The two men realize they both lust for Susanna. [2] The two elders then falsely accused Susanna of adultery - a crime which was punishable by death. The first says they were under a mastic tree (ὑπο σχίνον, hypo schinon), and Daniel says that an angel stands ready to cut (σχίσει, schisei) him in two. It is listed in Article VI of the 39 Articles of the Church of England among the books which are read "for example of life and instruction of manners", but not for the formation of doctrine. In early examples, the focus is on the vindication of Susanna and sets her as an example of Roman piety and faith, comforting the deceased families that they will be vindicated by god like Susa… The painting is a representation of a biblical narrative featured in chapter 13 of the Book of Daniel according to the text as maintained by the Catholic and Orthodox churches, though not generally by Protestants. [2], Gentileschi painted this scene at least twice more during her lifetime. When she refuses, they have her arrested, claiming that the reason she sent her maids away was to be alone as she was having sex with a young man under a tree. Two of these last were elders and judges who, though held in high esteem, suffered impure thoughts toward Susanna to … This was a popular scene to paint during the time of the Baroque period. The story was frequently painted from about 1470. [2] This painting was x-rayed in 1970 by Susanna P. Sack and it was confirmed that the date on this painting says 1610. [7] The spelling and format of signature varied because at that time, spelling was not standardized. [8] The Uruguayan painter Juan Manuel Blanes also painted two versions of the story, most notably one where the two voyeurs are not in sight, and Susanna looks to her right with a concerned expression on her face. [7] Rather, the body of works are attributed to Gentileschi,[7] partly because historians have been able to match her paintings‘ signatures on letters she wrote. Gilje titled this piece Susanna and the Elders Restored (x-ray, 1998). American artist Thomas Hart Benton (1889–1975) painted a modern Susanna in 1938, now at the de Young Museum in San Francisco. [2], The subject was relatively common in European art from the 16th century, with Susanna exemplifying the virtues of modesty and fidelity. Susanna, a young Jewish wife, was secretly desired by two elders of the community, who plotted together to seduce her. In the Greek text, the names of the trees cited by the elders form puns with the sentence given by Daniel. The false accusers are put to death, and virtue triumphs. Apocrypha: Susanna Chapter 1. Joakin had a walled garden at this house and it was to this garden that his beautiful wife would resort when the elders came. It depicts the story of Susanna from the Book of Daniel. The painting does not fade against their background, testifying that Artemisia Gentileschi was one of … The biblical story of Susanna and the Elders tells of a young married Jewish woman living in Babylon during the first exile of the Jewish people (after 586 BCE.). It seems likely that its increased popularity in the Eternal City was the direct result of Annibale Carracci and his school. 1 There dwelt a man in Babylon, called Joacim: . Read More. Susanna and the Elders: painting by Scarsellino Ippolito Scarsella Philadelphia Museum of Art: Cat. [5][6] Art historians have different opinions about this version of Susanna and the Elders. Susanna and the Elders is a 1610 painting by the Italian Baroque artist Artemisia Gentileschi and is her earliest known signed and dated work. The painting is signed in the bottom left, LOTUS PICTOR 1517, dating it to the artist’s first sojourn in Bergamo, from 1514 to 1525. Her parents were righteous, and had trained their daughter according to the law of Moses (vv. He consciously included pubic hair, unlike the statue-like images of classical art. Susanna and the Elders by Alessandro Allori, Susannah and the Elders, Jan Matsys, The Phoebus Foundation, Susanna and Elders, 1860 woodcut by Julius Schnorr von Karolsfeld in Die Bibel in Bildern, Trial of Susanna, 1860 woodcut by Julius Schnorr von Karolsfeld in Die Bibel in Bildern, Learn how and when to remove this template message, "Susanna at her Bath, 1850, Francesco Hayez", The Devout Woman and the Two Wicked Elders, An illustrated story of Susanna and the Elders, https://en.wikipedia.org/w/index.php?title=Susanna_(Book_of_Daniel)&oldid=1009446602, Articles needing additional references from August 2011, All articles needing additional references, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 28 February 2021, at 17:09. Jump to navigation Jump to search. Susanna remains the object of the elders’ and the reader’s vision, rather than emerging as a subject whose vision defines her own story. 158. Public Domain.

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